Hello! I was interested in getting more information about the pros (and cons) of having (and retaining) paintings under acrylic/plexi. I'm talking about oil on canvas, or tempera on board (as examples). I do understand the need to have an object's ...
Hi all - We have gallery space that is having a hard time staying humidified over the winter months despite a fairly sophisticated HVAC system. Engineering recommendations last winter have not proven successful so the next step has been to contract ...
I have often included Micro-Chamber paper, a really convenient and no-mess way to include activated charcoal and zeolite clay VOC scavengers, in heritage material housings and microenvironments, (see http://www.conservationresources.com/Main/S%20CATALOG/MicroChamber.htm ...
The Foundation for Advancement in Conservation (FAIC) seeks a part-time contract Coordinator for Connecting to Collections Care (C2C Care), an online community providing small and mid-sized organizations ...
A reflection on a great session, by Jen Munch and Suzanne Davis Jen Munch Graduate Fellow in Art Conservation, SUNY Buffalo State College and Graduate Intern in Paintings Conservation, National Gallery ...
(Book and Paper 2018) Cocktails and Mixers: Ethanol-Modified Treatments for Iron Gall Ink by Julie Biggs, Lynn Brostoff, Andrew Davis, Claire Dekle, Cyntia Karnes, Yasmeen Khan, Susan Peckham, and Cindy ...
This blog post series will look at United States citizens who trained abroad and are currently practicing conservation in the US. The goal of these interviews is twofold: to provide pre-program students ...