Paintings Specialty Group

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We are dedicated to improving knowledge of all subjects relating to the conservation of paintings, to promote proficiency and skill in the practice of paintings conservation, and to disseminate related technical and professional information.  

Formed in 1980, we now have more than 800 members.

Our membership is open to any AIC member with an interest in paintings conservation.

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What We Do

Annual Meeting Programming

We primarily coordinate paintings programming for AIC's Annual Meeting. Programming sometimes corresponds with overall meeting theme, sometimes concentrates on a special theme, and at times includes collaborative efforts with other specialty groups. Topics covered include treatment techniques and challenges, new materials, and research results. The program is usually a two to three days of paper presentations, panel discussions, tips sessions, workshops, as well as social events. 

Online Events

We host speakers on a variety of topics of interest to modern conservation professionals, often across specialties. Our recent webinars have included an update on reformulating Beva and working with MS3 varnish, plus a workshop on practical documentation.

Publications

Postprints

We prepare conference proceedings after our sessions at the annual meeting. Authors often expand their presentations into long-form articles or extended abstracts. While not peer-reviewed, they present a wealth of information about current topics in paintings conservation as well as insight into paintings conservation treatments.

Wiki

Our wiki  is an interactive and collaborative resource for conservators and conservation students to learn and share about topics in objects conservation. It is a dynamic endeavor that aims to foster communication and connectivity through an active exchange of information on developing research and the current trends and needs of the field. 

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Read Our Postprints

Our postprints are an annual publication that includes articles based on AIC Annual Meeting presentations. You can find complete volumes in our electronic store.

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Online Community

 Group Member Restricted 

Our online community provides valuable forum where colleagues can share and exchange ideas and practical information, facilitate open discussion, disseminate group-related news, questions, job postings, announcements, comments of interest, and general information.

  • Dear all, We just installed our new manual Buehler sample grinder ...

  • We are looking for a conservator familiar with the works of artist ...

  • As I approach retirement, I would like to donate some of the ...

  • Culpeper Fellowship

    NATIONAL GALLERY OF ART, CONSERVATION DIVISION Charles ...

Officers

Ellen Davis

Chair (2025-2027)

Ellen Davis is Associate Paintings Conservator at the Straus Center for Conservation and Technical Study at the Harvard Art Museums. Previously she was a Fellow in Paintings Conservation at the Museum of Modern Art in New York. She earned her M.A., C.A.S. in Art Conservation from Buffalo State, S.U.N.Y. in 2015 and her M.A. from Wesleyan University in 2007. Ellen completed her third-year graduate internship at MoMA and additional graduate internships at the Whitney Museum of American Art, The Barnes Foundation, and the Judd Foundation in NYC. Ellen has a particular interest in the treatment of non-traditional modern and contemporary paintings, as well as the influence of prior conservation interventions on those treatments.

Magdalena Solano

Program Chair (2025-2026)

Magdalena is Assistant Conservator of Paintings at The Museum of Modern Art (MoMA).

Adriana Benavides

Assistant Program Chair (2025-2026)

Adriana was introduced to conservation during her junior year of high school and was able to focus her undergraduate studies on conservation. She graduated Summa Cum Laude from Towson University with a B.A. in Art History and Studio Arts as well as minors in Chemistry and German. Her senior thesis focused on the conservation of Thomas Eakins’s The Gross Clinic. After her graduation in 2019, she began training under Dr. Joyce Hill Stoner at Winterthur’s painting conservation studio and undertook the conservation of Lincoln University’s Portrait of Reverend Irving Underhill by Laura Wheeler Waring. In addition to cleaning and inpainting, the portrait required a modified Heiber technique to mend a large tear. Next, she interned at the Walters Art Museum in Baltimore. In the paintings studio she wrote a condition report and documentation on a panel painting and worked on its initial cleaning. She then interned in the objects lab conditioning and cleaning a 19th-century enameled glass vase cover. During and after her time at the Walters she also worked in an archival frame shop in Baltimore where she was exposed to artworks including antique Chinese silks, rugs, pins, embroideries, and antique prints. In her free time, she listens to podcasts, takes care of her cats, and plays video games or Dungeons and Dragons with her friends.

Elizabeth Nunan

Secretary/Treasurer (2024-2026)

Beth is the owner and lead conservator at Flux Art Conservation Corp. Working in private practice for over a decade, she has gained experience restoring an incredible variety of damages on increasingly unique media and large format artworks. As a former President of Alliance for Response New York City, Beth gained additional expertise in the area of disaster planning for collecting institutions, and has provided disaster response coaching for art museums across the country. Prior to relocating to Philadelphia, Beth worked with the talented conservators of Luca Bonetti, Corp., and as part of the conservation team at the American Museum of Natural History. Previous conservation experiences also include internships at the Center for Puppetry Arts, the Bernice Pauahi Bishop Museum, the National Museum of the American Indian, the American Philosophical Society Library, and the Denver Art Museum. Beth is a graduate of the Buffalo State College Art Conservation Program, where she received a Masters in Art Conservation with a Certificate of Advanced Study.

Eric James

Postprints Editor

Erica ESH James graduated from the Winterthur/UD Program in 1999 with an M.S. in painting conservation; in 2021, she graduated with an M.A. in Liberal Studies with a focus on philosophy (aesthetics) and classics from Villanova University. She has continued her study at Villanova where she is currently a graduate student in classical studies. After completing conservation fellowships sponsored by both the Getty and Kress Foundations in 2002, she became a conservator in private practice. In 2007, she returned to institutional work for five years, and now continues her conservation work privately with institutions and private collectors. In addition, Erica works as a philosophy instructor in a community college setting instructing in western philosophy (ancient), logic, as well as the Humanities. Erica has been a board member on several conservation boards, published in the field, and is currently the assistant editor for the Paintings Specialty Group AIC Postprints. She has been a peer editor for the Villanova journal Concept since 2018. Erica is a member of the Society of Winterthur Fellows, a board member of the Philadelphia Area Conservation Association, and is a Professional Member of the American Institute for Conservation (AIC).

Patricia Favero

Assistant Posprint Editor

bio coming soon

Elizabeth Robson

Wiki Editor

Elizabeth Robson is the owner of ER Painting Conservation and Restoration, as well as the Paintings Conservator for the New York State Office of Parks, Recreation and Historic Preservation. She was previously the Andrew W. Mellon Conservation Fellow with the Chrysler Museum of Art and Hampton University Museum, as well as a post-graduate fellow in paintings conservation at Colonial Williamsburg. She graduated from the Garman Art Conservation Department at SUNY Buffalo State College in September 2019. She completed her third-year internship at the John & Mable Ringling Museum of Art in Sarasota, FL. She graduated with a BA in Art History and French from Colgate University in Hamilton, NY. Her pre-program internships included multiple positions at Colonial Williamsburg within the objects, furniture, and archaeological conservation labs. Elizabeth also interned at The Mariners Museum in Newport News, Virginia and at the private practice Curtis Fine Art Conservation in Williamsburg before beginning her graduate studies. She spent her first summer during graduate school in Brussels, Belgium where she completed an internship with the International Platform for Art Research and Conservation, and her second summer at the Saint Louis Art Museum working on 18th-century wallpaper.

Cristiana Acerbi Ginatta

Virtual Events Coordinator/Chair Emerita

Cristiana Acerbi Ginatta received her Master in “Conservazione e Restauro dei Beni Storico Artistici” from Palazzo Spinelli in Florence, Italy. As a hired specialist and as a volunteer she has professionally treated numerous collections to prevent the occurrence of damage, to address age-related conditions as well as to salvage artifacts affected by natural disasters, such as floods, fires, tornadoes and hurricanes, and by man-caused accidents. She holds FEMA and Community Emergency Response certifications, and have been actively involved with TX-CERA in training and response to regional disasters. She has lectured on Management of Museums and Cultural Institutions at Università Luigi Bocconi in Milan, Italy.

Laura H. Richter Le

Emerging Conservation Professional Liaison

bio coming soon

Gregory Bailey

Board Liaison

Gregory Bailey graduated in 2011 from Buffalo State College with an M.A. and C.A.S. in Art Conservation with a focus on the conservation of objects. Since that time, he has been awarded a Kress Fellowship at the Metropolitan Museum of Art and a Mellon Fellowship at the Walters Art Museum, where he also went on to work as Associate Conservator. He is the 2016-2017 recipient of the Booth Family Rome Prize in Historic Preservation and Conservation.  From 2017 to 2019, Greg served as Objects Conservator for the Smithsonian American Art Museum and Renwick Gallery.  Greg returned to the Walters Art Museum in 2019 as Senior Objects Conservator.  Greg is a Professional Member of the American Institute for Conservation (AIC), for which he also serves on the Board of Directors. Greg is Associate Editor for the Journal of the American Institute for Conservation (JAIC) as well as Associate Editor for Studies in Conservation.

Ryan Winfield

Staff Liaison

After graduating from Mary Washington College with a BA in art history and historic preservation, Ryan moved to DC, where he got his first job working for a small association management firm. After that he worked at a national arts advocacy organization before coming to AIC as a Membership Assistant. He is currently the Membership Manager. Ryan likes living in DC where he enjoys learning about its history, its local politics, and its public transportation system. In his spare time, he likes to cook, travel, and finish the many DIY projects he has going on in his apartment.

Volunteer with Us

Help create resources, plan events, and build connections among members. There are many ways to get involved—organize annual meeting sessions, develop webinars, or support networking and skill-building efforts. All of our group’s great work is powered by volunteers. Connect, contribute, and make a difference!

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