Wooden Artifacts Group

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We help improve knowledge of topics related to the conservation of wooden objects, promotes proficiency and skill in the practice of conservation of those objects, and disseminates technical and professional information related to them. We deal with topics such as upholstery, carvings, architecture, paintings on wood panels, insect fumigation, and furniture. 

Formed in 1986, we now have about 350 members.

Our membership is open to any AIC member with an interest in wooden artifacts conservation.

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What We Do

Annual Meeting Programming

We coordinate specialty programming on wooden artifact conservation for AIC’s Annual Meeting. Programming sometimes corresponds with overall meeting theme, sometimes concentrates on a special theme and frequently includes collaborative efforts with other specialty groups, including objects, paintings, textiles, and research groups. Topics covered include collections management, treatments, updates on research, disaster recovery, research and analysis, case studies, techniques, and other issues. The program is usually a full day or more of paper presentations, panel discussions, tips sessions, workshops, as well as social events. (See the 2025 sessions. ) We publish talks from our sessions at the Annual Meeting in the Wooden Artifacts Group Postprints.

Online Events 

We host a regular series of invited lectures and seminars online. Past events are available on-demand and include topics like ancient Egyptian woodworking, the history of exotic wood use and trade, and upholstery case studies. Log in to review webinars and filter by virtual (upcoming) or on-demand (recordings). 

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Publications

Postprints

We prepare topic-based publications that are a collection of concepts presented at the AIC's Annual Meeting turned into long-form articles. While not peer-reviewed, these postprints present a wealth of information about current topics in wooden artifacts conservation as well as insight into wooden artifacts conservation treatments. We grant our members free access to the postprints immediately after publication by adding to their Digital Bookshelf. We've made past issues available online by whole volume through the Digital Products Store.

Wiki

Our wiki is an interactive and collaborative resource for conservators and conservation students to learn and share about topics in wooden artifacts conservation. It is a dynamic endeavor that aims to foster communication and connectivity through an active exchange of information on developing research and the current trends and needs of the field.

Furniture in France

This Mellon Foundation-supported trip to France brought together groups of furniture and wooden object conservators to investigate the history of French furniture making. A study group of mid-career professional American wooden artifact conservators visited some of France's most important furniture collections and conservation facilities, created networks and connections with French conservators, and resulted in a series of videos and books.

Member Newsletter 

Our chair often collects news, resources, and information for group members into a newsletter. The most recent version, the WAG Rag, has been monthly. Check out recent issues below or in our online community.

WAG Rag - April 2024 Edition

WAG Rag Issue 4 Welcome to the fourth issue of WAG Rag where I will be urging you to sign up for both our first WAG online lecture, and the WAG Reception in Salt ...
WAG Rag Issue 3 Welcome to the third issue of WAG Rag! Let’s get straight to it: We are s eeking an Assistant Program Chair ! This two-year ...

WAG Rag - January 2024 Edition

Happy New Year and welcome to Issue 2 of the WAG Rag – an update on WAG goings-on, and a compilation of WAG-relevant events, internships, publications etc. If you come across an event, read a great publication, ...
Welcome to the first edition of the WAG Rag, a hopefully somewhat regular digest from your friendly Chair, with help from the newly recruited WAG Rag assistant, Olav Bjornerud. I hope this will be a nice ...

Read Our Postprints

Our annual publication includes articles from AIC Annual Meeting presentations. You can download complete from your Digital Bookshelf.

Access Bookshelf

Read Our Postprints

Our annual publication includes articles from AIC Annual Meeting presentations. You can find complete volumes in our online store.

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Online Community

 Member Restricted 

Our online community provides valuable forum where colleagues can share and exchange ideas and practical information, facilitate open discussion, disseminate group-related news, questions, job postings, announcements, comments of interest, and general information.

  • Hello everyone, Sharing this message sent to me by a colleague: ...

  • Hi everyone Kathy Gillis asked me to post the ConNext program ...

  • WAG Rag Issue 10

    Hello there, fellow Wood Weirdos (as I was kindly and kindredly ...

Our Officers

Our leadership consists of elected officers: chair, program chair, assistant program chair, and secretary/treasurer.

Paige Schmidt

Chair (2025-2027)

Paige is the Wooden Objects Conservator for the New York State Office of Parks, Recreation, and Historic Preservation. She was previously an Objects Conservator at The Mariners' Museum and Park in Newport News, VA. Paige received her Masters in Conservation from SUNY Buffalo State University. She held internships at the Landesarchäologie Aussenstelle Speyer in Germany, the Institute for Aegean Prehistory Study Center for East Crete in Greece, the Frick Collection in New York City, the Alaska State Museum, and the Colonial Williamsburg Foundation. She was an intern and fellow at the Biltmore Estate in Asheville, North Carolina, working with furniture and upholstery, objects, and outdoor sculpture. Paige is particularly interested in wooden artifacts and maritime collections. She has served on the Wooden Artifacts Group’s Advisory Committee, as the WAG liaison for the Emerging Conservation Professionals Network, and was the WAG AIC 2018 Program Chair. She is interested in woodworking, investigating traditional technologies, and working on boats and anything having to do with the nautical life. When Paige is not working, she can be found hiking, climbing, and exploring the wilderness.

Elly Davis

Program Chair (2025-2026)

Elly is a graduate of the Garman Art Conservation Program at SUNY Buffalo State University where she received an MA and MS in 2024 specializing in objects conservation. She graduated from the University of Tulsa in 2020 with a BA in art history where she earned several academic awards for excellence in art history and scholarship. She completed a pre-program internships at The Gilcrease Museum of Art,The Cleveland Museum of Art, and The Art Institute of Chicago and completed her 3rd year graduate internship at the Michael C. Carlos Museum in Atlanta. She is currently the Assistant Objects Conservator at the Gilcrease Museum of Art in Tulsa, Oklahoma.

Caite Sofield

Assistant Program Chair (2025-2026)

Caite is Contract Conservator, NPS Historic Architecture, Conservation, and Engineering Center.

Elizabeth Peirce

Secretary/Treasurer (2022-2026)

I obtained my BA in Art Conservation at the University of Delaware in 2009. After preprogram internships working on silver, paintings, furniture, and archaeological collections, I traveled to London to obtain my MA in Principles of Conservation (2013) and MSc in Conservation for Archaeology and Museums (2015) from University College London. While completing my graduate coursework I interned at the Natural History Museum, London; The Frick Collection, New York City; The National Maritime Museum, Greenwich, UK; and The Wallace Collection, London. After my graduation from UCL, I was the Kress Fellow in Conservation at Winterthur Museum, focusing on preventive conservation and the conservation of Chinese export lacquer in 2015-2016. In the fall of 2016 I began a Mellon Fellowship with Historic New England where I worked on objects and furniture from a range of periods from the 37 historic homes they maintain. In 2017, I joined the staff at the Philadelphia Museum of Art as the Assistant Conservator of Furniture and Woodwork, focusing on the treatment of the early American furniture collection in preparation for the opening of the new American art galleries in 2021 and the accompanying publication. After completing that contract, I was hired as Project Assistant Conservator to organize and execute a massive multi-gallery cleaning after construction had completed. In the fall of 2021, I joined the Library of Congress as the Conservator of Objects. I treat, research, and rehouse a wide variety of materials within the collection.

Sarah Beach

Online Events Coordinator (2025-2026)

Sarah did not discover the intersection of her interests in the decorative arts, material culture, and chemistry until her junior year of college, when she started her conservation pre-program journey at the Museum of Fine Arts, Boston. Working in the Furniture and Frame Lab, she was given a broad foundation in conservation ethics, documentation, and fundamental treatments. Upon graduating Magna Cum Laude from Salve Regina University with a BA in Cultural and Historic Preservation and a minor in Art History, Sarah pursued work at the Preservation Society of Newport County (PSNC). At the PSNC she participated in the condition survey of a historic house museum’s collection, and later worked as a furniture conservation technician on treatment campaigns that were a direct result of this triage-style survey. In 2020, she received a National Council for Preservation Education internship at the National Park Service Harpers Ferry Center. There, she largely treated ferrous and nonferrous metal artifacts but also gained experience in upholstery conservation. Most recently Sarah worked for Bynon Art Services LLC on a rehousing project at the Tennessee State Museum in Nashville, Tennessee; Specifically, she aided in the survey, treatment, and packing of the diverse taxidermy collection. She currently serves on the AIC Sustainability Student Subcommittee and feels strongly about the interconnectivity of the climate crisis and social justice. In her free time Sarah enjoys hiking, playing video games, and making mixed-media collages.

Olav Bjornerud

Communications Officer

bio forthcoming

Rian Deurenberg-Wilkinson

Postprints Editor

Rian M. H. Deurenberg-Wilkinson is a Conservator at Fallon & Wilkinson, LLC, a private conservation lab in Connecticut and is a Professional Member of AIC. She held a two-year position in the Sherman Fairchild Center for Objects Conservation at the Metropolitan Museum of Art in New York, where she worked on neoclassical furniture for the reinstallation and renovation of the American Wing. After graduating from the furniture conservation program at the Netherlands Institute for Cultural Heritage (ICN) in 2001, she has worked in private and institutional conservation labs in both the Netherlands and the United States, including a three-year Andrew W. Mellon Fellowship at the Philadelphia Museum of Art. Her specialties are woodcarving, marquetry and veneer, joinery, upholstery, and gilding.

Advisory Committee

We also have an advisory committee (similar to a nominating committee), and the past chair serves on that committee.

Catherine Silverman

Chair Emerita (2025-2027)

Catherine is Associate Conservator of Furniture and Objects, Yale University Art Gallery.

Ella Andrews

Ella Andrews

Emerging Conservation Professionals Liaison

Ella Andrews is the Andrew W. Mellon Advanced Fellow in Objects Conservation at Emory University’s Michael C. Carlos Museum. She received an M.S. in Conservation for Archaeology and Museums and an M.A. in Principles of Conservation from University College London subsequent to a B.A. in Anthropology from the University of North Carolina at Charlotte. She has previously worked at The Fitzwilliam Museum, Archaeology South-East, and UCL Institute of Archaeology. She has worked as a conservator on archaeological projects in the United States, United Kingdom, Israel/Palestine, Greece, and is currently a member of Middle Kingdom Theban Project in Egypt. Her research interests include Egyptian polychrome surfaces, the use of organic nanoparticles as consolidants, and the identification of pigments through multistep analysis. She is a member of the American Institute for Conservation and the Georgia regional co-liaison for AIC’s Emerging Conservation Professionals Network.

Sarah Towers

Sarah Towers

Member

bio forthcoming

Greg Bailey

Board Liaison (2023-2026)

Gregory Bailey graduated in 2011 from Buffalo State College with an M.A. and C.A.S. in Art Conservation with a focus on the conservation of objects. Since that time, he has been awarded a Kress Fellowship at the Metropolitan Museum of Art and a Mellon Fellowship at the Walters Art Museum, where he also went on to work as Associate Conservator. He is the 2016-2017 recipient of the Booth Family Rome Prize in Historic Preservation and Conservation. From 2017 to 2019, Greg served as Objects Conservator for the Smithsonian American Art Museum and Renwick Gallery. Greg returned to the Walters Art Museum in 2019 as Senior Objects Conservator. Greg is a Professional Member of the American Institute for Conservation (AIC), for which he also serves on the Board of Directors. Greg is Associate Editor for the Journal of the American Institute for Conservation (JAIC) as well as Associate Editor for Studies in Conservation.

Ryan Winfield

Staff Liaison

After graduating from Mary Washington College with a BA in art history and historic preservation, Ryan moved to DC, where he got his first job working for a small association management firm. After that he worked at a national arts advocacy organization before coming to AIC as a Membership Assistant, and is now Membership Manager. 

Volunteer with Us

Help create resources, plan events, and build connections among members. There are many ways to get involved—organize annual meeting sessions, develop webinars, or support networking and skill-building efforts. All of our group’s great work is powered by volunteers. Connect, contribute, and make a difference!

Volunteer